Singing like Germans: Black musicians in the land of Bach, Beethoven, and Brahms

How Beethoven Came to Black America

African American Intellectual and Musical Migration to Central Europe, 1870-1914

The Sonic Color Line Belts the World : Constructing Race and Music in Central Europe, 1870-1914

Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign

Singing Lieder, Hearing Race : Debating Blackness, Whiteness, and German Music in Interwar Central Europe

"A Negro Who Sings German Lieder Jeopardizes German Culture" : Black Musicians under the Shadow of Nazism

"And I Thought They Were A Decadent Race" : Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life

Breaking with the Past : Race, Gender, and Opera after 1945

Singing in the Promised Land : Black Musicians in the German Democratic Republic

Conclusion : "What Should a Negro Do with Beethoven?!".