Sienese painting after the Black Death: artistic pluralism, politics, and the new art market

Part I: Trecento art history and historiography

One: Introduction

Two: Meiss and method: historiography of scholarship on mid-Trecento Sienese painting

Part II: Patrons and artists: working relationships in transition

Three: Patrons and artists

Four: Economic, social, and political conditions and the art market after 1348

Five: Artists' working relationships in the early Trecento

Six: Artists' working relationships after the Black Death: a Sienese compagnia, circa 1348-1363

Part III: Transmission and transformation of civic-religious imagery

Introduction to Part III

Seven: The crafting and consolidation of Sienese civic-religious imagery: civic-religious rituals and imagery in the early fourteenth century

Eight: Sienese civic-religious imagery at the mid-Trecento

Part IV: Artistic style: tradition and transition

Nine: Stylistic pluralism in the 1330s and 1340s

Ten: The politics of style in the 1350s and 1360s: the case of Santa Maria Della Scala

Eleven: Style as iconography: general reflections

Part V: Conclusion.