Part I: Trecento art history and historiography
Two: Meiss and method: historiography of scholarship on mid-Trecento Sienese painting
Part II: Patrons and artists: working relationships in transition
Three: Patrons and artists
Four: Economic, social, and political conditions and the art market after 1348
Five: Artists' working relationships in the early Trecento
Six: Artists' working relationships after the Black Death: a Sienese compagnia, circa 1348-1363
Part III: Transmission and transformation of civic-religious imagery
Seven: The crafting and consolidation of Sienese civic-religious imagery: civic-religious rituals and imagery in the early fourteenth century
Eight: Sienese civic-religious imagery at the mid-Trecento
Part IV: Artistic style: tradition and transition
Nine: Stylistic pluralism in the 1330s and 1340s
Ten: The politics of style in the 1350s and 1360s: the case of Santa Maria Della Scala
Eleven: Style as iconography: general reflections