Classical Hollywood cinema: narrational principles and procedures / David Bordwell
Problems of denotation in the fiction film / Christian Metz
Segmenting/analyzing / Raymond Bellour
The obvious and the code / Raymond Bellour
The spectator-in-the-text: the rhetoric of Stagecoach / Nick Browne
Godard and the counter-cinema: Vent d'Est / Peter Wollen
The concept of cinematic excess / Kristin Thompson
Uncoded images in the heterogeneous text / Deborah Linderman
Diderot, Brecht, Eisenstein / Roland Barthes
Theory and film: principles of realism and pleasure / Colin MacCabe
Visual pleasure and narrative cinema / Laura Mulvey
Voyeurism, the look, and Dwoskin / Paul Willemen
Suture (excerpts) / Kaja Silverman
Ellipsis on dread and the specular seduction / Julia Kristeva
The imaginary signifier (excerpts) / Christian Metz
Ideological effects of the basic cinematographic apparatus / Jean-Louis Baudry
The apparatus: metapsychological approaches to the impression of reality in cinema / Jean-Louis Baudry
The silences of the voice / Pascal Bonitzer
The voice in the cinema: the articulation of body and space / Mary Ann Doane
Acinema / Jean François Lyotard
Through the looking-glass / Teresa de Lauretis
Narrative space / Stephen Heath
Technique and ideology: camera, perspective, depth of field (parts 3 and 4) / Jean-Louis Comolli
John Ford's Young Mr. Lincoln / Editors of Cahiers du cinéma
Primitivism and the avant-gardes: a dialectical approach / Noël Burch
Film body: an implantation of perversions / Linda Williams
Primary identification and the historical subject: Fassbinder and Germany / Thomas Elsaesser.
