Introduction: Film before and after New Media, Anec-notology, and the Philological Uncanny
1. The Medieval and Early Modern Cinematographosphere: De-composing Paratexts, Media Analogues, and the Living Dead Hands of Surrealism, Psychoanalysis, and New Historicism
2. The Passion of El Cid and the Circumfixion of Cinematic History: Stereotypology/Phantomimesis/Cryptomorphoses
3. Cutting and (Re)Running from the (Medieval) Middle East: The Return of the Film Epic and the Uncanny Mise-hors-scenes of Kingdom of Heaven's Double DVDs
4. Le detour de Martin Guerre: "Anec-notes" of Historical Film Advisors, Archival Aberrations, and the Uncanny Subject of the Academic Paratext
Epilegomenon: Anec-Post-It-Note to Self: Freud, Greenblatt, and the New Historicist Uncanny
