Alternative Shakespeares: 3

1. Introduction / Diana E. Henderson

2. "I do I will": Hal, Falstaff and the Performative / Robert Shaughnessy

3. Medium-Specificity and Other Critical Scripts for Screen Shakespeare / Katherine Rowe

4. Shakespeare 3.0: Or Text Versus Performance, the Remix / W. B. Worthen

5. Shakespeare for Readers / Lukas Erne

6. Cutting Both Ways: Bloodletting, Castration / Circumcision, and the "Lancelet" of The Merchant of Venice / Patricia Parker

7. Cymbeline, the Font of History, and the Matter of Britain: From Times New Roman to Italic Type / Willy Maley

8. Playing with Cupid: Gender, Sexuality, and Adolescence / Kate Chedgzoy

9. Death by Numbers: Counting and Accounting in The Winter's Tale / Shankar Raman

10. Hamlet, Prince: Tragedy, Citizenship, and Political Theology / Julia Reinhard Lupton

11. Memory, Ideology, Translation: King Lear Behind Bars and Before History / Rui Carvalho Homem

12. Materiality of the Scholarly Text: What Our Books Reveal About Us / Mary Thomas Crane

13. Alternative Collaborations: Shakespeare, Nahum Tate, Our Academy, and the Science of Probability / Diana E. Henderson

14. Afterword: Alternativity at the Theatrical Core: A Conversation with Michael Boyd, Artistic Director of the Royal Shakespeare Company.